If you’ve seen even one samurai chanbara (swashbuckling swordplay) movie,
you’re familiar with the warriors’ katana,
or sword. Although antiques can be found and collected, genuine hand-made
swords from Japan in excellent condition are rare and considered to be art
objects.
When the wife and I went on a tour of Japan in 1986, we were
told by our guide that the antiques cannot be taken out of Japan and in order
to own one, you must obtain appropriate certification.
I learned of the Japanese Sword Society of Hawaii’s
exhibition at Soto Mission in the Nuuanu district of Honolulu through a poster
tacked onto the wall of my doctor’s office, and have been waiting for it since
August.
Well, it’s taking place this weekend, so the wife and I went
yesterday. If you haven’t been there and want to see it, you’d better hurry;
after today, you’re too late. Be
forewarned, parking is scarce, despite their large parking lot. The wife and I
had to walk a few blocks after parking our car on the street. Admission is $10,
but it’s well worth it to see the antiques.
In addition to the swords on display, the Bonsai Kenkyu Kai
of Hawaii had a number of bonsai (miniature trees) on display. Some smaller
plants (obviously just started) were on sale, but the attention of the
attendees was riveted on a video crew interviewing one of the club members
working on his bonsai tree.
We joined a long, slow-moving line that inched its way
around the room’s perimeter, pausing for extended periods before some sumi’e (ink) scrolls of obvious value,
then a great selection of ukiyo’e
(block prints) also on sale. I’d love to own a few of these, but wasn’t on a
buying expedition, so I passed.
Just as we neared the sword displays, a young girl came up
to me and said photography wasn’t allowed. Damn. That always happens to me. I
took a look at the information that was handed to us at the door, and sure
enough, there in plain English, was the bullet point: “No photographing or
filming is allowed.” But I never let that stop me before, so I took one more picture
looking down the first table of katana
swords. Wish I could have taken more individual pictures, but that’s the way it
goes.
I always seem to run into someone I know at these collector
shows, and sure enough, there was my friend Marion Kendrick, who runs the coin
shows for the Hawaii State Numismatic Association. He asked if I was going to
set up at this year’s November show, but I told him I’ve stopped doing shows.
Disappointing news, unfortunately.
Okay, so no pictures of more swords. That’s too bad, but
still, I did get to see dozens of these antique weapons created during the 14th
through 18th Centuries in Japan. And that, as they say, ain’t bad.
But as a consolation, here are two pictures of artwork that
I was able to take before they stopped me:
Ukiyo'e Blockprint from "47 Ronin" by Kawanabe Kyosai, 1886 |
Sumi'e Scroll "Magic Dragon" by Nyoren, Edo Period, 19th Century |
4 comments:
i know how it feels to want to take photos as when i go to academy of art exhibits but can not take photos like the hokusai print exhibit. beside the copyright issue there is a privacy issue. these swords are from private collections and rarely seen. for these individuals to expose their incredible treasures they must be convinced that their privacy in regards to security of their treasures will be protected. that is why no photos of swords and owners were allowed. but to have this exhibit that was comparable to what i seen in the sword museum in yoyogi, shibuya, tokyo in hawaii is fantastic. rarely can you find a sword exhibit that will show you the sword making progression that shows the changing throughout the history of japan.
aloha
Thanks for your thoughts, Anon!
~ Craig
Mr. Miyamoto,
I appreciate your interest in our exhibit, which has not been done for 50 years in Honolulu. A great deal of effort was expended in creating and doing this, not the least part of which was to coax our members to allow their collections to be shared. Of pricipal concern was security for our collections after the exhibit, since theft from private residences of these items is not unprecedented.
Still, in an effort to share our interest with the people of Honolulu, we expended a great deal of thought, labor, and our personal resources to accomplish this event. A notice asking that no photos be taken was posted at the entrance and in the exhibit bulletin. We felt that our effort to share would be respected by all who came and reciprocated by honoring our request.
We will be having the Second Annual Japanese Sword Exhibit at Soto Mission this fall, with the same venue. I hope that you and other visitors will comply with our request that photos not be taken. Perhaps with this comment you will realize the reasoning and sincerity of our request.
Glenn N. Hayashi, M.D.
President, Japanese Sword Society of Hawaii
Thanks for your explanation, Dr. Hayashi.
~ Craig
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