In all the years I’ve traveled to San Francisco, the De
Young Museum was one place I’d never stepped foot in. The last time we were at
Golden Gate Park back in 2009, we were walking toward the Japanese Tea Garden
adjacent to the museum when a woman asked if we wanted to buy two of her
tickets (at a discount) to the King Tut exhibit that was on display at De
Young.
We declined because it was a bit late and it was too cold
for the wife. Oh well, timing is everything.
This time, I parked in the familiar underground lot near the
California Academy of Science, discovering only later that there is additional
parking right next to the museum and connected via a very short underground
walk. Oh well, preliminary research is everything, right?
One of the first pieces you see at the museum’s entrance (it’s
seven pieces actually) is called “Drawn Stone” by Andy Goldsworthy. Created in
2005, the seven rocks represent San Francisco and the cracks that threaten the
city – the faults that cause its earthquakes.
Admission is quite reasonable: $10 for adults 18-64, $6 for
youths 13-17, $7 for seniors 65 and over (make sure you have an ID with you),
$6 for college students (ditto the ID), and free for children younger than 13. Stick
part of the ticket to your clothes to show you’ve paid your admission.
De Young is huge, with several galleries devoted to
geographical location and historical periods. We spent most of our time
wandering the American Art galleries, the Art of Africa, and the Art of
Oceania. I’ll tell you about the galleries at a later date.
The Sculpture Garden |
Today, however, I’ll tell you about the Sculpture Garden
that’s accessible from the De Young Café. It’s a peaceful place, lots of grass,
and relatively quiet. I spent about 45 minutes just wandering about, taking
pictures, examining the sculptures from all angles:
"Corridor Pin Blue," 1999, by Claes Oldenburg & Coosje van Bruggen |
"Conversation Piece V, 3 Figures," 2001, by Juan Munoz |
The last thing we did was go up the Nancy B. and Jake L.
Hamon Tower to the ninth-level observation deck where we were treated to a
360-degree panorama of the city and surrounding areas.
View toward Entrance to San Francisco Bay |
It’s a bit unsettling to
approach the edge, despite the fact that the observation area is totally
enclosed in glass. One older gentleman refused to get any closer than 15 feet
or so, and promptly went back down the elevator.
Golden Gate Music Concourse and California Academy of Sciences |
I’m getting a bit squeamish in my old age, but walked close
to the edge despite the squinchies I was experiencing.
If you haven’t gone to the museum, you should, the next time
you’re in San Francisco.
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